The hunger games |
Saw |
In this shot you can see the stock characters running in both the photo on the left and our photo on the right. This is where people know what the games are about and are running to safety after witnessing a murder or murdering someone themselves.
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This shot shows our antagonist and how Saw inspired us to feature this shot as similarly, they both have suits and the smiling sinister mask is similar.
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Battle royaleThere were various similarities between this trailer and our trailer such as the cute female character who looked innocent but was actually quite wicked.
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The Hunger gAMES CATCHING FIRERight storyboard picture shows the room leading to the game hosts main room where they're given their costumes. Similarly, the left photo is a room in-which a character is being changed into her costume.
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The running man |
Would you rather |
Here, shows a scene where our Antagonist is looking at himself unmasked in the mirror then points out his stick saying "you think you can leave" in an aggressive manor which is the same aura you get from the scene in the running man where the film show owner, like ours, is pointing looking like he's enforcing his control and demands.
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Here, the stock and protagonists in the left photo are made feel comfortable at the table, feeling as if everything is authentic and they're without worry, having received a good offer. It targets people who are in need, similar to the photo on the right, where the stock and protagonist are made a fruitful offer, being working class, them also being deceived not knowing how deadly the offer really is.
This is similar to this scene in 'Would you rather' where the characters are sat at a table not being fully aware of the mania to come, which is the exact situation in our scene also. |
MAIN SPECS:•Get shooting quickly and easily with Scene Intelligent Auto
•Vari-Angle Clear View LCD II Touch Screen •ISO sensitivity range of ISO 100-12800 (extendable to ISO 25600). •Creative filter effects, including Grainy Black & White, Toy Camera and Miniature effect. •Powerful DIGIC processing •Control Speedlites from your camera remotely •Choice of AF points for creative framing •Moveable screen for creative framing |
Tripod |
Shoulder RIg |
A three-legged stand for supporting a camera/ the camera which we will record with from the listed cameras above. These keep the camera static/held up although you can use the handle to rotate it left or right whilst recording or prior recording to position it right.
TrackA tracker/track is like a railroad track which you place the tripod on to allow the camera to move across the track/be pushed across the track in an smooth/steady way as shown above.
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This is a piece of equipment that moves with the camera operator. It's not static like a tripod and it allows you, the filmmaker, the flexibility of movement, which can really help increase efficiency during production and it rests on your shoulder.
Mini dollyThe mini dolly is used for creating horizontal tracking and push/pull shots producing a unique, cinematic, smooth shot.
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Steady Cam |
Gorilla Pod |
The Steadicam is a tool that allows for smooth tracking shots. Unlike handheld footage which is shaky, the Steadicam allows the operator to walk forward, backwards, and even up or down steps smoothly.
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GorillaPod is a lightweight, flexible tripod being a much more smaller version of a tripod.
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Camera drone |
Microphone |
Is a flying camera which allows you to capture establishing shots and birds eye view and other higher angle shots much easier. They send a live video to a smart phone and are controlled by a remote control as they're aerial gadgets.
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These are special microphones which have been designed to work well with a camcorder or a video-enabled DSLR camera. It's typically lightweight (to help keep the overall weight of the camera low).
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A lens is a transmissive optical device that focuses or disperses a light beam by means of refraction.
In order to focus the light onto the surface, most cameras (and your own eyes) use a lens to direct the light. If the lens is not set at the right focus the video will blur and that is because the camera is not able to notice what is close to the lens and far from it which is why there is a manual lens focus so that we can focus on anything we need to. |
Canon 550D & 600D: TTL-CT-SIR AF-dedicated with a CMOS sensor
Auto Focus and Manual Focus Canon 650D:APS-C CMOS sensor Canon 7D: TTL-CT-SIR CMOS sensor Auto focus and Manual focus Canon 750D: TTL-CT-SIR AF-dedicated with a CMOS sensor Auto Focus and Manual Focus Canon 700D: TTL-CT-SIR CMOS sensor Auto focus and Manual focus |
Aperture is a hole within a lens, through which light travels into the camera body. The front element of a lens gathers all external light, then bends it and passes it to the iris. The amount of light that enters the retina (which works just like the camera sensor), is limited to the size of the pupil – the larger the pupil, the more light enters the retina. It is calibrated in f/stops and is generally written as numbers such as 1.4, 2, 2.8, 4, 5.6, 8, 11 and 16. The lower f/stops give more exposurebecause they represent the larger apertures, while the higher f/stops give less exposure because they represent smaller apertures.
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CAMERA APERTURE SETTINGS:
Canon 550D: Maximum aperture of f/3.5 Canon 600D: Maximum aperture of f/3.5 Canon 650D: Maximum aperture of f/2.8 Canon 7D: Maximum aperture of f/3.5 Canon 700D: Maximum aperture of f3.5–5.6 Canon 750D: Maximum aperture of f/3.5 |
Shutter speed is dependent on the quality of the video/ photo which is about to be taken. If the camera is set on a high quality setting then you can expect the shutter speed to be a bit slower than how fast and instant it would be if the camera settings were set to low for recording or taking pictures. Slower shutter speeds allow more time for the sensor to collect light and result in a higher exposure, whereas faster shutter speeds give the sensor less time to collect light and thus, result in a lower exposure.
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CAMERA SHUTTER SPEED:
Canon 550D: Maximum shutter speed of 30 seconds Canon 600D: Shutter speed range 1/4000 to 30 sec and bulb, 1/200 s X-sync Canon 650D: Shutter speed range 30 - 1/4000 sec (1/2 or 1/3 stop increments), Bulb Canon 7D: Shutter speed range 30 to 1/8000 s Bulb Canon 700D: Shutter speed range (X-sync = 1/250 vs. 1/200) Canon 750D: 30-1/4000 sec (1/2 or 1/3 stop increments), Bulb |
ISO measures the sensitivity of the image sensor.
The same principles apply as in film photography – the lower the number the less sensitive your camera is to light and the finer the grain. Simply said, it allows you to work with less light. When working using higher ISOs, the image signal is generally close in magnitude to that of the noise resulting in noise entering the image. |
CAMERA ISO SETTINGS:
Canon 550D: APS-C (22.3mm x 14.9mm) Native ISO: 100 - 6400 Canon 600D: APS-C (22.3mm x 14.9mm) Native ISO: 100 - 6400 Canon 650D: ISO 100-12,800 sensitivity, extendable to ISO 25,600 Canon 7D: APS-C (22.3mm x 14.9mm) Native ISO: 100 - 6400 Canon 700D:ISO sensitivity range of ISO 100-12800 (extendable to ISO 25600). Canon 750D: APS-C (22.3mm x 14.9mm) Native ISO: 100 - 12,800 |
Intro: |
Week 1:Location: Outside South Block
(Christ The King Lewisham) When: 09/11/2017 From: 12:10 - 13:40 Camera Diary content: Framing |
Intro: |
Week 2:Location: Main Hall
(Christ the King Lewisham) When: 13/11/2017 From: 2:30 - 4:00 Camera Diary Content: Angles |
Intro: |
Week 3:Location: Main Hall
(Christ the King Lewisham) When: 15/11/2017 From: 8:50 - 10:20 Camera Diary Content: Movements |